Tag Archives: Hong Kong


How a bookstore evolved into becoming a banned books center in Hong Kong

PeoplesRecreation1

From the Atlantic, In Hong Kong, a Sanctuary for Banned Books:

Later that year we began to get mainland visitors from cities like Beijing and Tianjin who were traveling on their own. Our sign said “People’s Commune” in Chinese, and our logo was Mao Zedong’s face, so maybe that caught their eye. Sometimes, customers would ask me questions like, “Hey boss, do you have any copies of Zhou Enlai’s Later Years?’ At the time I didn’t get it, I still wasn’t so familiar with books published in simplified characters. I would tell them that I’d look into it and found a couple of Hong Kong publishers with that book or maybe The Private Life of Chairman Mao. I wasn’t really into politics – we were primarily selling books about art and culture…

We began selling more and more banned books in late 2004. People were interested in the power transition from [President] Jiang Zemin to Hu Jintao [which was drawn out over two years]. Customers would come back and ask, “What else do you have?” They were really interested in what was going on during the leadership change and were unable to read anything about it on the mainland. We started off with a tiny shelf of political books, eventually it grew to take up a counter, and as sales continued to improve more of the store was taken up by banned books.

Not mentioned in the article: The bookstore-cafe also sells milk powder, a highly sought after good after China’s tainted milk powder scanda in 2008.

PeoplesRecreation2

Read the full article here.

(Photo sources: 1, 2.)

Kowloon Walled City repository

Those of us who’ve been in Hong Kong are constantly barraged by articles and people describing the magic of the now-dismantled Kowloon Walled City. Amidst the romanticization of this 6.5 acre block that was ungoverned or policed for decades (it lay in limbo between communist China and colonial British rule), people rarely offer any photographs of its inside. Until now, I had seen more of it’s outside and bird’s eye view than its innards.

Discovering 99% Invisible’s excellent podcast on it changed this. On their article about the podcast, they feature Greg Girard’s wonderful photographs:

Greg Girard “Water Standpipe (Man Washing), 1989

More from where that came from here.

The article continues by featuring video footage of the Walled City. Here’s Jean-Claude Van Damme in an action movie there before it was torn down:

And they even managed to find a 40-minute German documentary (subtitled) about the City:

If you can get past the judgmental German overtones, they take us on through quite a thorough tour.

Aside from interviewing photographer Greg Girard, 99% Invisible also talks to architect Aaron Tan, who wrote a thesis on the Kowloon Walled City. Listen to the episode now.

Update: Check out an infographic of the city that the South China Morning Post commissioned. (Via Transpondster & Final Boss Form.)

2 rooftops, 2 farms, 2 cities

A Tale of Two Rooftops from The Perennial Plate on Vimeo.

A beautiful tale of two rooftop farms, one in Beijing and one in Hong Kong, and the people behind them.

Via This Big City.

Stats: The kinds of tech startups in HK

Last month, my friend Paul Orlando and I launched Startup Hug*, an experiment in cultivating an early adopter community here in Hong Kong. As part of the process, we evaluated over 130 local startup websites (the list came from Paul’s We Are HK Tech). One side product is that we categorized and annotated this list of 130.

While the data is still up to date, I wanted to share some of the statistics that we found – though do keep in mind the margin of error as this has been one night’s work:

HK startup types
Additional notes:

  • While games only made up 6% of the startups, they actually represent a relatively mature sector here.
  • I was surprised by the number of content startups, given the relative dearth of a reading-blogging culture locally.
  • Only 14% of startups offered (physical) goods, of which only a handful were genuine hardware startups. This seems low given Hong Kong’s proximity to Shenzhen and history of toy/clothing manufacturing.
  • 45 startups (35%) offered free (or freemium) products/services.
  • Productivity tools were nowhere to be found.
  • China-targeting startups were rare (probably less than 10%), which either speaks to the difficulty of doing that from Hong Kong or a lack of trying.

Want to find out more? See the four startups we chose to feature on Startup Hug or see the updated list of startups at We Are HK Tech.

* Disclaimer: Shameless plug.

Troll defaces luxury handbags on subway

According to this report from Apple Daily HK, there’s a real-life troll that’s been going around on the subway in Hong Kong defacing various strangers’ luxury handbags with a ball point pen.

Stats on the commerce of film in Hong Kong & China

Haexagon Concepts has just released their industry report on the film industries in Hong Kong & China. It’s a snappy, well-researched report, and tackles subjects ranging from advertising methods to the emergence of transmedia storytelling in these two regions.

An excerpt about Hong Kong’s advertising quagmire:

 ”A major problem in HongKong is that there aren’t enoughadvertising platforms to makerates competitive. In Hong Kong,there are only two free-to-air television stations (broadband/cable television networks onlyreach about one million viewers,mainly relying on subscribers for their revenue) and two commercialradio networks (each networkoperates multiple stations). Inother words, the company thatcan afford to pay the most for ad space will dominate the city,making local productions buy upmore space to try and compete with bigger, foreign competition(hence inating budgets anddriving advertising prices up).”

An excerpt about China’s foreign film import limits:

As China becomes an increasingly lucrative market for films, foreign film companies will undoubtedly want a piece of the pie. However, as foreign films are still limited by the imported films quota (recently expanded after negotiations with America’s MPAA), foreign investors are now looking to doing co-productions with Chinese investors to get around the quota. In addition to most Hong Kong films of recent years, “The Expendables 2”, “Iron Man 3”, “Looper” and “The Karate Kid” are all examples of recent American-Chinese co-productions…

SARFT quickly picked up on this practice and vowed in August 2012 to strictly enforce co-production terms, demanding that films include Chinese locations, Chinese actors, and a story that “incorporates Chinese themes”. “Expendables 2” was the first casualty, having its co-production status removed despite a hefty investment by LeVision Pictures. “”Looper” was suddenly pulled from its release date with no official reason and abruptly returned to its original release date two days before it (The opening “dragon logo” stated that it is now classified as an imported film). The announcement even sent a shockwave among Hong Kong filmmakers, who had to go to Beijing for an emergency meeting with SARFT.

Read the full report over here.

Hong Kong Citizens’ Online, Memetic Protest

China Meme Report banner

Like pretty much anyone else paying attention to the story, I was stunned to see the images of protests in Hong Kong, with people of all ages donning black to rail against Beijing’s plan to enact national education.  Hong Kongers deemed it brainwashing, a paternalistic move from Beijing to inculcate the special territory into its ways.  The sheer scale of the protests led to Beijing agreeing not to mandate national education.

But while citizens took to the streets, they also took to the web.  “Brainwash” may have been blocked on Sina Weibo, but “wear black” wasn’t, nor was “oppose national education.”  And if you searched for these terms and others, you’d find images like this:

These are pretty normal scenes of protest, but they have a strong online component too:

And in addition to crossing arms, the simple act of wearing black has become a visual strategy in itself, as protesters have encouraged each other to wear black to oppose national education.

The graphic refers specifically to “brainwashing”.

But like any good meme, this one also has more comic/cartoonish manifestations.  Here are a few favorites:

“Oppose brainwashing”

As soon as I heard it, I knew the “wear black” strategy made some sense: like wearing blue jeans to support gay rights, wearing black is a normally-apolitical gesture imbued with new meaning that forces dialogue (Hong Kong-based designer See-Ming Lee suggested to me that it might resemble Disney Gay Day more). This is particularly true in fashionable Hong Kong, where the smart set prefer chic black, just like New Yorkers.  But the symbol and imagery of black continued to grow till it was a sea of black shirts and black pants.  Add to that the gesture of crossing one’s arms, and you have the perfect political meme: a simple, personal gesture with easy-to-find materials.  It works as much in grand gatherings as it does in casual snaps posted onto Weibo.

Faux subway stickers that show the role of graphic design in both offline and online world contexts. The red image on the right takes subway design vernacular and says “Be careful of brainwashing”. The blue/white image on the left says: “Beware of pickpocketing”. The “thief” is stealing the word “freedom.” Photo by Jason Li.

Online and Offline

The big question is, why such an online flurry?  In mainland China, the memetic spread of images of discontent/dissent makes sense: lacking the freer speech and public assembly opportunities of more democratic nations, citizens take to the internet to express their concerns.  Since both mainlanders and Hong Kong citizens use Sina Weibo, the culture of memes in the Chinese-speaking internet hops across political/regional boundaries.  This explains why I’ve seen the crossing arms gesture amongst users in the mainland, and why sunflower seeds, the symbol originating from a Beijing artist, also has resonance in Hong Kong.  In other words, the Chinese-speaking internet loves its memes.

But the broader point to understand here is that the “meme’ing” of protest/dissent reflects just how intertwined internet life and offline life have become.  While public assembly on the streets of the city is often crucial–just look at the sheer scale of the crowd–, so is public assembly on the streets of our online city.  And in the Chinese-speaking internet, the city of cities is Sina Weibo, where netizens gather at every hour of the day to converse, share and debate in a national public forum. As I explored in my recent look at the Trayvon Martin and Chen Guangcheng memes, the particular form of public assembly on the internet is much more visual and reliant on basic art and design skills.  This is how you show scale in an online environment–text alone is rarely enough–, and it’s a trend we’ve seen now in Hong Kong (Anti-Brainwash), Moscow (Pussy Riot), New York (Travyon Martin), Beijing (Ai Weiwei and Chen Guangcheng) and elsewhere.  As we see more protests involving the internet generation in the Chinese-speaking world and beyond, we should expect to see more and more of this.

Interview with Marco Sparmberg, Hong Kong-based trans-media filmmaker

The following are the excerpts of an informal email conversation I had with Marco Sparmberg, a trans-media filmmaker & content developer based in Hong Kong.

Q: What brought you to Hong Kong?

A: I grew up with the 80s and 90s HK films running at the midnight slots of German TV. At a certain age I grabbed everything that remotely looked Asian from the video rental stores and most of it simply came from HK. I love HK movies, and all their limitless exploitation of everything that’s sacred in other cinematic cultures.  When it came to where to go to film school, there was only one real choice for me. I began my HK adventure back in 2007 among the video, music and exhibition artist community while interning at Videotage before starting my masters studies in film production one year later.

Q:How do you see the rift between the international and local filmmaker communities in Hong Kong?

A: Indeed, there appears to be a certain separation within HK’s filmmaking landscape. In order for outsiders to gain an understanding of this situation, I need to generalize a bit, which may simplify things too much for insiders.

On the one hand, there are the local filmmakers who grew up in HK and produce for cinema and/or TV. On the other hand there are the expats and “returnees” who bring in their own overseas network and go into more experimental directions by producing short films,  music videos, Internet video content. Feature film productions are rather rare here. I reckon this separation got a number of reasons like language, cultural background or business orientation. From my point of view, the reason why the international filmmakers community is barely involved in local feature film production is mainly the involvement of the Mainland [China], either direct or indirect. HK features are simply not profitable enough, hence need a Mainland boost in ticket sales. For most local filmmakers it’s still more profitable to produce a film for the Mainland market in the first place. On top, feature film budgets are rarely independent from the Mainland anymore. Money from the north to get your film made means creative involvement from the investor. Eventually the question is, to what extend are you willing to allow such influence on your film.

However, there are very practical reasons involved too. The working visa situation makes most expats have day jobs which makes a longer engagement within a feature film production that can take up to several years, quite impossible. Most positions in film-making are either outsourced or on a project basis and still don’t guarantee a steady income. A feature film might be greenlit and just one week away from production start but can still be suddenly canceled. A production suspension while shooting is also common. There is no studio system in place in HK, it’s a game for freelancers only.

Q: Where we can find out more about you and your work?

A: You will find a summary of my work on my personal webpage http://m-sp.net. Most updated however is probably my Twitter @MarcoSparmberg and the web channels of Hæxagon Concepts (http://haexagon.org), a trans-media production house I co-founded earlier this year.

As for the projects mentioned, all major link connections to the Squattertown web universe are on http://squattertown.com. And Hæxagon short film universe is just about to unfold on http://00c6.org.

Locusts and Pandas and Bears… 哦麦 (o mai)!

China Meme Report banner

Those of us following China have noticed the increasing tensions between Hong Kong and mainlanders.  More and more mainland women have been crossing the border into Hong Kong to have babies, where their children can expect to receive better healthcare and a coveted Hong Kong passport, which offers more freedoms and privileges.  Hong Kong citizens on the other hand are protesting vociferously that mainlanders are taking jobs and resources without contributing their fair share.

“Locusts,” they’re calling them.  It’s a slur meant to conjure up the image of buzzing, swarming locusts coming in and eating up everyone’s resources.  Sound familiar?  As a Californian, I can’t help but notice the striking resemblance to issues of immigration in the United States, as states like Arizona and Alabama enact stricter rules against illegal immigration.

It ain’t easy being a memeologist, especially when working in a medium that’s not my native tongue.  On Twitter, I can easily scan through dozens of tweets in a few seconds but on different Chinese social media, I have to be more strategic.  Part of my strategy is knowing when memes will pop up.   As soon as I heard about the locusts incident, I knew it would be a meme.  What tipped me off?

  • It was sparking strong emotions across the country. No doubt, calling an entire group of people “locusts” will provoke anger and frustration.  And since a site like Sina Weibo often serves as a space for letting off steam,
  • But there are lots of issues people get frustrated about. What this issue has is very strong imagery.  From the protests in Hong Kong to the image of pregnant mainland women shuffling across the border to locusts, it’s rich with imagery.
  • The most important part, however, is that there’s an animal involved. Locusts. We all know what they look like, and they can easily be turned into a meme.  I’ll talk more about this later.

And so, of course, I knew a meme was afoot.  What did I find?  Locusts, and lots of them.  A full page ad, shown above, appeared in Apple Daily, one of Hong Kong’s newspapers, and it began circulating on the internet.  Here’s the translation from the Wall St. Journal: “Hong Kong people, we have endured enough in silence. Are you willing for Hong Kong to spend one million Hong Kong dollars every 18 minutes to raise children born to mainland parents?”

The ad, according to the Journal, was the work of one man who organized an online campaign to raise 100,000 Hong Kong dollars (12,900 USD).  It was a watershed moment in a series of anxiety-ridden images that began popping up in papers and online.

I first noticed this, showing a swarm of “mainland pregnant women” crossing Luohu Bridge, which connects Hong Kong with the mainland city of Shenzhen:

And then this:

And this, showing a man dropping a temporary residency permit and proudly brandishing a permanent residency permit:

These comics reflect the fears of Hong Kong residents, who perceive mainlanders as swarming their land and taking money and passports with them while giving birth to their locust children.  We don’t often see such baldly racist or classist comics in the US anymore, but a recent one comes to mind.  In Michigan, congressional candidate Pete Hoekstra gained notoriety for airing a baldly racist ad in the Superbowl with a pan-Asian woman in a bad accent claiming she’s stealing American jobs.  Sites like Funny or Die panned it immediately, with one parody featuring actress Ali Wong giggling like Chun Li in Street Fighter.

Likewise, mainlanders took the classist, fear-mongering advertisement into their own hands.  They took the original ad and distributed a blank version:

It was quickly remixed.  A lot.  I came across dozens and dozens of hacked, remixed ads, some being retweeted almost 100,000 times.  Here are a few.

This one advocates for poor Big Big Wolf, who hasn’t had a chance to eat the sheep after some 600 episodes of Pleasant Goat and Big Big Wolf, China’s most popular homegrown cartoon.  Like Wile E. Coyote, the wolf never eats the goat, and the advertisement says he’s endured enough.  “The wolf also deserves the dignity of being a wolf!” it proclaims:

Most of the memes are more serious and they reflect deep-seated fears.  This one asks: “Do you intend for your city to always be neglected? Yangjiang people have endured enough!”  Yangjiang is a district in Guangdong province, the province adjacent to Hong Kong.  It makes claims like “Because you always think about a life in Hong Kong, you’ve neglected the benefits of welfare policies for raising children in Yangjiang” and “Because you always say culture is reviving, you neglect the extensive knowledge and deep scholarship of Yangjiang.”  Time to let go of mother’s breast and give Yangjiang a chance.  Interestingly, one little sentence in English says, “Never give up, City Yangjiang.”

Or this: “Do you intend to let your children study medicine?”  It advocates for a 5-10 fold increase in wages for doctors and a cap of 40 work hours per week:

“I’ve had enough of the counterattack from Hong Kong’s pregnant women!”:

“Do you intend for 90% of China’s officials children and families to migrate abroad?” this one explains.  It calls for officials to announce the properties they hold:

This one calls for residents of Jiangmen in Guangdong to advocate for bootleg-free television:

This one worries over the difficulty of finding “Old Friend Noodles,” a delicacy in Nanning that appears to be harder to find on the streets:

This one advocates for tourists to Zhanjiang to respect the city’s natural graces.  Zhanjiang has recently become a tourist boon for seafood and ocean viewing, being just across from Hainan, which China is trying to turn into its own version of Hawaii:

This one expresses concern over the invasion of outsiders into Foshan:

There are so many many more, with cultural references I don’t necessarily understand but which clearly struck a nerve with locals.  The locusts meme reveals a host of cultural and regional identities and anxieties, especially in southern provinces with close cultural and economic ties to Hong Kong.  It became a perfect tool for venting, and so many reflect the changing dynamics of different cities and provinces as China urbanizes.

But the locusts also reveal a universal truth about memes: animals are catchy.  I wrote about the Grass Mud Horse meme.  Bear bile has become a hot topic, as Jin Ge explored in a past post, and bear imagery has popped up in protests.  I’ll be writing more about the Pandaman meme that Global Voices explored so well.  And then, of course, we have locusts.

Just like lolcats and lolruses, advice dog and o rly owl, animals make amazing meme material.  In the west, animals are funny and cute.  In a place like China, cutesy, non-political animal memes certainly exist.  But as  the internet is the one place people have to publicly discuss political topics, animals often come with an extra bite.  In my next Meme Report, I’ll look at the Pandaman phenomenon and what it suggests about memes in China.

Guan Gong Fights the Aliens!

In case you missed it, Robin Peckham has a great piece over on World Wide Pop regarding the historic Guan Gong Fights the Aliens (1976) film. A Taiwanese production filmed in Hong Kong during the 1970s, the movie is part Japanese Godzilla film and part cheesy Chinese myth.

Incidentally, I also ran into the film at a LEGO promotional event in Hong Kong today:

Want to know more about the film? Read Robin’s piece here or if you’re a Chinese reader, check out Jason blog’s coverage.

Personal disclaimer: World Wide Pop is an online publication that I also write and edit for.